3D visualisation makes it possible to see a project before construction, compare options and communicate architectural intent clearly. We create images of facades, settings and interiors as well as animation, for our own designs and from documentation supplied by other studios or clients.
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Accurate geometry and an understanding of the project come first. We establish the modelling scope, key viewpoints, context and required detail, then develop materials, lighting and scene elements. Photorealism is not only render quality: the image must preserve the proportions and logic of the design it communicates.
Options for materials, colours, windows or lighting can be compared before they become expensive construction decisions. During design, visualisation helps assess form and atmosphere; in a presentation, it explains the proposal to people who do not read technical drawings. The scope is matched to the specific purpose of each image.
We can work from a 3D model, plans and elevations, material information or an agreed set of references. Before starting, we define file formats, views, resolution and review stages. A structured process approves camera and geometry first, then materials, light and the final character of the image.
We begin with a model — our own or one supplied by the practice. We then set the views and send greyscale previews so the composition can be agreed before materials are added. Once the views are approved we work on textures, planting and lighting, and finally deliver high-resolution images together with one round of revisions.
To prepare an offer we need plans and sections or a three-dimensional model, the number of views expected, and whether the work covers exteriors, interiors or both. Examples of images with a similar character also help — they establish the expected level of realism and mood before work begins.
Visualisations serve the sale of flats and houses before they are built, the presentation of a scheme to a council or heritage officer, and straightforward decision-making by a private client. Each use calls for a different emphasis — a sales brochure needs a different level of detail from material prepared to agree the character of an elevation.
The price depends on the number of views, the complexity of the massing and context, and whether the model must be built from scratch or is supplied. We usually price per view, with a better rate for larger packages of images.
For a typical single-family house, usually from a few days to two weeks, counted from receipt of complete material and approval of the views. Timescales for larger schemes are agreed individually, allowing for the number of views and revision rounds.
Plans and sections or a 3D model, information about facade and finishing materials, and the number of views expected. If the scheme has a specific location, photographs of the plot and its surroundings help place the building in a real context.
Yes. We work with other practices, developers and contractors, preparing visualisations from supplied documentation. We only require confirmation that the client is entitled to use the design in this way.
As standard, one round of revisions after the final images are delivered, preceded by approval of the views on greyscale previews. This sequence limits changes at the final stage, where they are most time-consuming.
Yes. Visualisation work is carried out entirely remotely, so the location of the scheme is irrelevant — we work for clients across Poland. Contact and file exchange take place electronically.
Tell us where the project is located and what support you need. We will come back with a suggested next step.
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